Dear Kaer, (this is how we started letters back in the day!)

Your hope should not be gone but reborn. After listening to this gorgeous mix I am truly moved. This is your best vocal performance I have heard. It’s genuine and lovely.

You keep working on your craft and believing in yourself and you may see many doors opening that have been seemingly shut in the past.

I was really touched by this one.

I love this Kaer -
poignant and plaintive delivery from my favorite Chanteuse - the edge of a winter’s landscape.

Wonderful stuff!!

Not just a great vocal performance but an outstanding production all round.

That guitar justs fits so beautifully within the arrangement.

This is something to be proud of!

I have always thought of you as a bit of an eagle. Wild at one moment and graceful at another.

I know which persona i prefer and here it is.

An engaging, controlled, thoughtful and emotional delivery.

The best you have done .

This is like an Oasis in the middle of the desert of routine.

It is beautiful and very well produced. Congratulations Kaer!!

This is downright frighteningly good. Color me amazed!

Lovely and chilled Kaer, I love the ‘simplicity’ which I’m sure masks the work behind.

Great Track..

Tiz Amazing I tells ya.

Seriously though, this is worth the above hype. Very moving and lyrically beautiful. Congrats! as Wellman would say.

Yours Sincerely
Mr A

This is a song from the heart, so rare to hear in the computer age. Though, it’s garage band and computer based vsts and fxs and still you can take these at your advantage. LS wrote “controlled” and scott wrote “lyrical”, this is your voice today. But I add, when the reversed guitar comes, it is wonderful. And the end is nowhere..

” The VOICE” Like it was said before. This could be your best vocally.
LOVE THIS, beautiful and passionate.

A perfect blend.
Just the right amount of experimentation, a certain shade of tenderness, and a fair bit of restraint.
It ends much too abruptly, and leaves one wanting more..
Have a nice day.

Saturdays at noon the television show Kukla, Fran and Ollie came on, in which two puppet hosts and a human host introduced a subtitled foreign children’s film. Often, the films were about long searches for missing things—a balloon, a bicycle, a family.
I remember in particular getting to eat Patio Mexican TV dinners (the height of luxury, I thought) during special Saturdays with those films.

This song appeals to me very much, because the sense of restraint in the delivery of vox and instruments makes the piece more powerful than a more bombastic approach might have been. The use of noise and glitch elements really makes the piece alive and evocative. I share your view that the distortion/clip on the ending vocals needed to stay in—I think what would have advanced it further is to layer some glitch/noise elements directly behind the distorted pieces, to emphasize the heartbreak in that digital language we all silently speak as a second tongue now.

A very well-done remix. This should on your myspace and on your last.fm pages as a free download, as this is the kind of song that can go a bit viral.