I wanted mostly to just create sometihng which rocked a bit more than my usual things, but if I were to play with it again, I’d slow down what I did and add a vocal track.

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Thanks!

Thank you! Hope you are doing well.

I love Prince’s work, so that really makes me feel good.

I was playing with the guitar piece in this one, aiming for something else, when I “heard” in my mind how great it would sound with a rhythm section, and then, by golly, something I could loop to be that section was right here in the mixter samples.

Thanks, Teru. My own work so often pursues its own way, but I think it’s important to try to learn how to do other things, too.

The deep bubbles by Harri Bionic always enchant me, and I wish I could find them a home in every mix. I will definitely do more things with beats. thanks.

Thanks, Victor.

I think about that, too—how much difference a year makes. I could not have made this mix a year ago.
I merely uploaded my odd samples.

I did not make my first ‘real’ mix until the Lisa contest, and that mix was primitive. All my mixes then involved a lot of a single sampler, a softstudio, and a music notation program.

Now if I can ever properly mix one of Lisa’s vocals—the person who first mentioned this site to me—and also find a VsT host I really like, then I’ll begin to feel a sense of accomplishment.

I was recording things before mixter, and, oddly, even selling things and getting listeners, but mixter has been a big help to me.

I think that one advantage of being a teen in the 1970s is that music like this gets imprinted on one as if one were duckling of rock.

I stretched that guitar solo out, and suddenly, I heard the potential in my head, and the rest was just mixing.