Thank you. I like that montage image a lot.

Thanks. Clear, minimal and resting were things I was going for.

Yes, I agree—Loveshadow brings a lot to the things he remixes, so that each keeps some of the original but bears a Loveshadow signature.
I like the idea that the artist created the same image, mildly changed, in setting after setting—something we in remix culture understand.

Thanks! I like to try to create non-narrative pictures in that way.
I have a friend, the musician C. Reider, who refers to his music as “abstract”. I am not sure my music is sufficiently non-representational to qualify for that term, but I understand the idea.

Thanks. I really like Boards of Canada, though I am less influenced by Boards of Canada than that Boards of Canada and I apparently are influenced by the same earlier artists (though of course, Boards of Canada are amazing at it).

It would have been fun to put indistinct vocal samples in, just a little too low to be interpreted.

Loveshadow’s mixes are full of great sets of sounds coordinating together, which make them tricky, sometimes, to find the individual
pieces that can be added into a mix.
Some of the uploads do have individual stems, and for others, I focused on intros and extros where there might be one solitary thing to handle.

I like to work with tiny samples when I am working with non-ccMixter material, and I always try to work to get several more seconds per sample into Mixter remixes, so that folks can “hear” their material in the remix.

Thanks!

Great to see you back at the Mixter for this 10th Anniversary event. Thanks for the kind words. Getting Loveshadow to remix guaranteed me a rich set of samples from which to begin.

Thanks! I hope you are doing well. I still remember our “Cloud” cross-over with great fondness.

That’s cool that you study the pre-Raphaelites and that they are your favorite group of painters.
Thanks for your kind words about the song my style in general. I appreciate it.

Thank you for the editor’s pick. That was a nice surprise. I’ve enjoyed getting to know folks like you through ccMixter and the way we all work for a more sharing culture.

Great page! Though I think I saw pages on artmagick, I do not think I saw this one.

When I started looking things up yesterday, my vague and mistaken impression was that the term “Love’s Shadow” was from a line in a Christina Rossetti poem. I knew it was something connected to the pre-Raphs but did not realize it was the painting, if ever I knew before. So it was a delightful thing to realize this other, different basis for the name existed. Great name for a musical handle.

We can go with that but it actually has nothing to do with art, just uncanny you should arrive at a similar coincidental place. :-)

Totally uncanny, though I attribute it more to lack of memory than anything else. I remember you had mentioned somewhere on social media you liked the pre-Raphaelites, so that part is easy. But surely I must have happened acros the painting and forgotten it.

On the other hand, I was right that there are pertinent lines from Christina Rossetti, from that song called “When I am Dead, my Dearest”. It fits nicely when it comes to love’s shadow (and memories):

I shall not see the shadows,
I shall not feel the rain;
I shall not hear the nightingale
Sing on, as if in pain:
And dreaming through the twilight
That doth not rise nor set,
Haply I may remember,
And haply may forget.

Hey Teru:

Great to see you here. It was fun to learn so much about the name, and its story.

Thank you for such kind words. It was a fun song to put together.

Thanks! It was fun to work with such great source material.

Great to hear from you. I realized the other day that I did not get back with you on something you had asked about, when the something you were asking about sounded like great fun to do.

It would be fun to get together. It’s fun to hear that you like that era of creative people as well.