I don’t know RT, this seems really disharmonious and there are some key signature issues that remain unresolved, in my mind anyway.

This is like a Robert Altman film: 3 or more conversations going on at once, each with equally important dialogue. The problem is the dialogues do not gel.

With the trumpet and harpsicord I am almost reminded of Mancini, but the two are really diametrically opposed in phrasing. Andy Summers used to do guitar solos like this, but there was always resolution. As he even pointed out himself, the exoticness will peak interest but will eventually lose your listner.

With the Kurt Weill reference, I am also reminded of a disjointed Tom Waits feel.

The production work is nice. But musically I agree with Kaer Trouz.

This one doesn’t quite have the brilliant shock value of the contrasts in your Welsh rap piece, but bringing together these different musical cultures is weirdly interesting because the brain tries to make sense of what’s going and - and fails!
Makes me think of Cage more than Kurt Weill. I’m glad there are people doing strange things like this on ccM ;)

I like it. It feels like a picture with images that shouldn’t fit together put together. If that makes any sense I don’t know. Very creative.

Hey radioT, everyone jumps against you? hehe. I will too :D .

I agree with kaer about the tonal quality and every trouble with the 3 pieces. I’m not a fan of asynchronized material, and I think Kaer voice has to be treated carefully, because she has many fluctuations in tone and harmonics that could sound wounding to your ears. Thats the magic of her voice, but I think you let the vox in here untreated. I appreciate what you wanted to do with this mix, but I think a little more sound quality would helped. I don’t feel the sounds lie on the same canvas independent of the mixed styles and asynchronization.