I have to say, on behalf of the three of us, without taking too many liberties, this was one of the most peaceful and grounded singing experiences I have ever had. I wish I could say that on my end, it was slaved over and grappled with, but really I just opened my mouth and out it came. Of course all the ground work was before me: I had a clean platform and the easy part, just simply open the trap and let the sound out.It was beyond me really……..

Oops, seems my math was off, congrats to RT too…

KT I am not at all surprised by what you said and by my reaction to your vocals. I adore vocals that are true and not forced. I believe the human instrument plays best when it is played without excessive effort. It is why, though I have tried for years to appreciate opera, I cannot stomach it ;-). I also hate the sound of an obviously trained voice. Your voice carries so much emotion naturally, it’s something that can’t be taught or learned only something that is inherent in the artist doing the expressing. You are fortunate to have this gift, and so are we that we can share it. Thanks and keep it up.

I did a mix on another site where I intertwined male and female vocals. I got a lot of comments on the concept and the emotional power it packed. Technically the mix was pretty crude but it remains one of my favorites of the ones I’ve done. It’s often hard to get the two sexes to work beautifully in tandem but when they do, it can be a very wondrous thing.

What an honor…I would like to underscore what a pleasure it is to work with Kaer Trouz and make sure she shares in all the very nice things people have had written about this piece!

Nac I evah a noitalsnart fo siht sa I saw dekcik tuo fo Nital sa eno fo ym srotsecna saw elbisnopser rof gnitteg
dir fo Raseac morf Niatirb!!

As you can see my Latin’s parc!!

LS - it didn’t occur to me (until you said it) that this offering could definitely be an example of a contemporary “Partimen”. Thanks - from the Troubadour(s)….