Branching Out Secret Mixter Sign Ups

Reviews for "Girl We've Just Begun"

Girl We've Just Begun
by Loveshadow
Recommends (26)
Thu, Jul 12, 2018 @ 6:27 PM

Uses samples from:

Samples are used in:

permalink   Thu, Jul 12, 2018 @ 6:40 PM
Just Amazing LoveShadow !

I was a great fan/addict of Saint Germain and all the French touch mixes
and scene in the earlier 90/2000’s.
You realised a dream.

Apoxode was saying “Hope Someone’s
gonna doing a House Mix of it” ^^
Maybe he is has mystical sources we doesn’t have ?

Will re-listening it.
dig dig digg !
permalink   Apoxode Fri, Jul 13, 2018 @ 10:56 AM
Quote: CalymanApoxode was saying “Hope Someone’s
gonna doing a House Mix of it” ^^
Maybe he is has mystical sources we doesn’t have ?

Oh, I don’t know about that, I felt like I was stating the obvious. The real magic comes from Loveshadow with this mix and SackJo22 with “Now” (which inspired me with her wonderful production work).
permalink   Fri, Jul 13, 2018 @ 5:15 AM
Ha Got me dancing LS!
permalink   Fri, Jul 13, 2018 @ 10:50 AM
Brilliant! Your time compression braids these two pieces together wonderfully, and your structure is solid. Excellent levels — this is well balanced throughout.
permalink   Fri, Jul 13, 2018 @ 12:43 PM
this is just so sonically delicious right from the top. how do you do this???? everything you touch becomes magically smooth and tasty. not only did you make sure no one was left behind, you made a hit at the same time. yes, this is going on my favorites list.
permalink   Sun, Aug 12, 2018 @ 11:59 PM
infectious back beat arrangement, LS
permalink   Tue, Jan 29, 2019 @ 1:09 PM
Dance club ready!
permalink   Thu, Jul 11, 2019 @ 9:38 AM
This sounds like a fresh track off ABC’s UP album. Scomber’s Martin Fry vocals and Mark White’s sequencing genius, you’ve combined them both in this! Wow, just WOW!
permalink   Sat, Feb 19, 2022 @ 4:42 PM
This is absolutely fantastic - a real deep slice of human-first, soulful house.

Everything about it is great - from that deep bass (so deep, and so expertly mixed that you’d miss it if it didn’t just *demand* your attention!) to the really well-placed delay and (I’m guessing) vocoder on the vocals. The chord progression (if you can call two chords a progression!) is nothing short of perfect, in the choice of both the repeating phrase and the combination of instrument and effects.

This is just so damned good. Really well done.

Right. I’m off to listen to this again.