Thanks digging the remix, Per.

Köszönet, Presse

Like your title Dangerous Kiss. Is Vészhelyzet Csók the correct phrase? Veszélyes csókoljam?

If you think it should be paid to Hungarian: Kiss of the emergency
A vészhelyzet csókja
Vagy: Veszélyesen csókolom,veszélyt csókolom….
Sok lehetÅ‘ség van…

I am liking Veszélyesen csókolom
which could be interpreted as “perilously soft” or “dangerously kiss”

Thanks for the listen and review, colab. Glad you like it.

Used three glitch drum loops and two bass loops in the break without any channel processing of the loops or the stereo mix. The slap bass samples are stock loops in A from splurgo.com.

In the master channel, used Izotope’s Ozone 4 CD Matser preset. Turned the Parametric EQ function off. Loudness, Dynamics and Harmonic Exciter functions were enabled.

Didn’t fiddle with the Ozone preset function parameters looking for mo’ better results. Rendered the mix once, listened to rendered mix twice (once with cans) before uploading. This was a very quick exercise from 2 to 4 am.

The missing step in this quick exercise was assessing the need to adjust the tonal properties of the percussion to better support the key of the song.

thanks for sharing these details. how would you go about adjust the tonal percussion properties (i’m curious!). also, Colab mentioned he’d like to hear a bit more dance thumpin gumption - what do you think? :)

(1) Some percussion like the kick drums, toms, Error 404’s kanna, etc may have one or more pitch regions per hit in sample that can be recognized by many wave editors. Some times it is practical to tune (pitch shifted) the pitch regions to better support the key of the song. For instance, if your kick kick drum has an A# pitch region and you song is in A, you might wanna make a slight adjustment. On Water Can Jazz, for instance, had to make some heavy ajustment to reconcile the low end water can pitch regions with the bass and rhodes piano due to way too much low end rumple.

Picked up the technique by watching http://www.youtube.com/watc...

(2) Sounds like Colab suggests the punching/thumping attributes be brought out … like the kick and bass. May be practical depending on what’s there is in the stereo mix to leverage. Will give a listen. Keep in mind that some of the folks on ccMixter know a lot more about mixing and mastering. At my studio, we be slashin’, burnin’ and hackin’:0)

well, you seem to be ahead of me in this department :) thanks for the great information exchange. i feel smarter!

Experiment with boosting punchy attributes of E-Merge Ents at http://ccmixter.org/files/t...

It doesn’t sounds to me like you need to adjust the pitch of the drums. Maybe I’m missing something but to me it all works very well.

Just listened to the original and you really made great even better!!

listening again. now that my ears are farther away from my mix, i am appreciating more and more the elements you added and the changes you made. you’ve really taken this track so much further. thank you!!!

Good to hear no problems. Usually my ears are not good enough to tell until I seek out pitch regions or solo every thing below 120Hz to listen for rumble.

you’ve added so much more flavor, depth, and have expanded this track with all of your elements. thank you!

Changed the title. Don’t want questionable language “:0)

What is Emergent Kiss in Hungarian?

Veszélyes Csók!
Szó szerint: Vészhelyzet Csók
If I’m right.
But ask Mr. Grétsy teacher.
I hope I wrote the names of well-:)

Like your title Dangerous Kiss. Is Vészhelyzet Csók the correct phrase? Veszélyes csókoljam?

Thanks for diggin’ the thumpin’