some might say, sure but Kaer’s always great. but she is one of the most expressive singer/songwriters on the planet. the BT is really unique & a thing of beauty.

When ever I see a quirky song title on the left hand page of the screen I instantly know I’m about to be treated to a new Radiotimes magical mystery mixting tour. This is no exception. Very nice.
I’ll remind you of what you once said to me ;
“This changing tempo and style mid song was quite the rage when I was doing session work in the 70’s. Most of it was unintentional though due to the large amounts of chemicals involved. Suprisingly a lot of it ended up on the records and the masses just thought it was meant to be that way! Good to see yours is chemically free!.”
This is one of those occasions.

Excellent job!!! One of the best arranges I have heard for Kaer!!!

I really liked the mix.. U should teach me some of ur secrets RT!!!

Have I told you already that I think you are brilliant? This, like so many of your mixes, reframe the vocal in a unique way that leads me to hear something completely new. And while I am a huge fan of KT, I must say I adored the “deaf boy” chorus and heavy bottom end. Thanks for a terrific listen!

This is exceptional even for you, rt. A combination of vocals and backtrack that works so well I’m fumbling about for the right eulogizing adjectives!

(I’m not indifferent to male deafness. It’s like a red rag to a ram.)

What a suprisingly unexpected take on this great pella. But most of all very very good. There are only a few people around here who can pull such a thing off and you are one of them.

Tasty cool.

Has a kicking rhythm. The drive kicks in from second 1. Gud Job Squire

This is bizarre, but catchy in the weirdest way. The song was originally inspired by this widower I know, as a prayer to his dead wife. I guess it still applies, because when you are dead you are automatically deaf, right?