Reviews for "I'll wait"
Uses samples from:
rocavaco |
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Wed, Dec 29, 2010 @ 12:49 AM
Damn wonderful classical arrangement with great chord selection. Lovely.
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Thank you!
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Kara Square |
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Wed, Dec 29, 2010 @ 9:23 AM
Beautiful!
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Thanks Kara!
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Carosone |
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Wed, Dec 29, 2010 @ 12:59 PM
Your well-known production skill is manifested here in the orchestra arrangement and sounds. I guess you don’t have a real orchestra at your foot so I’m talking of sampled instruments: I have them as well but I wouldn’t know what to do with them. Writing for a complete orchestra needs some skill and music knowledge, and you show you’ve learned this lesson very well.
On the backside, I would have taken a different approach to the voice reverb, which is dry and roomy while violins are in a concert hall. Glad to hear from you back again Ciao f |
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Thanks for your feedback Francesco! About skills: yes, I had some education in this field, but still most of what I do is all about trial and error. There’s still a lot to learn…
About the placement of the vocal in relation to the orchestra: I get your point. My aim was to stick to a rather close sound. However, the app I use for the orchestral sounds only provides me with ‘wide’ sounds instead of close mic sounds. But still: I’m happy with the overall sound and feeling. Apart from that: I love dry vocals ;-) By the way: Glad to be back! If I had the time.. well, you know… |
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Subliminal |
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Wed, Dec 29, 2010 @ 11:35 PM
Splendid orchestral arrangement. It takes some talent to do this and you are obviously in possession of such talent.
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Wow, thanks!!
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texasradiofish |
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Thu, Dec 30, 2010 @ 1:14 AM
Absolutely Fabulous
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Thank You
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VickyDan |
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Thu, Dec 30, 2010 @ 5:32 AM
Excellent, yes excellent job ….
the beautiful voice of Snowflake, is highlighted as a jewel in a casket. |
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Cool, ‘a jewel in a casket’, I like that!
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Zapac |
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Thu, Dec 30, 2010 @ 6:57 AM
Wonderful! The orchestral accompaniment is brilliant!
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I’m very satisfied with the result, but ‘brilliant’…? Thanks Zapac!
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colab |
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Thu, Dec 30, 2010 @ 7:26 AM
I actually very much like the vocal dryness - it makes Emily more present and centred which works really well for me with the dynamics of the strings.
But that’s not what I wanted to say. I wanted to say that this is absolutely stunning. It’s an incredibly good match for Emily’s vocals - very respectful, very sensitive. Terrific, terrific work. |
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Thanks for your kind words Mikael. Very motivating!
About the vocal dryness: I agree :-) |
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SackJo22 |
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Thu, Dec 30, 2010 @ 10:28 AM
WOW!!!!!!!! speechless.
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Me too, Susan, reading these comments :-)
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AT |
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Thu, Dec 30, 2010 @ 5:20 PM
this is rather bloody good, love the arrangement, choice of instruments and well pretty much everything—very nice skilled work.
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Glad you like it, thanks!
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Snowflake |
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Fri, Dec 31, 2010 @ 10:42 AM
thank you for including me in this beautiful mix. love the organ and chord voicings. the entry of the cello is gorgeous. i am so grateful to be part of this!
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Susan, this song was really a joy to work on. Thank YOU!
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OMG… *blushes*
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wellman |
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Sat, Jan 1, 2011 @ 8:47 AM
Awesome man! I really like the arrange and the mix…That cello still is in my hear!
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Thanks man! A pity I don’t play the cello, such a beautiful instrument…
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Scott Altham |
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Sat, Jan 1, 2011 @ 12:59 PM
What a great arrangement of organ and strings. I thoroughly enjoyed this track. Great work
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Thanks Scott, allways happy wit your thumbs up!
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Robin Schmitz |
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Sat, Jan 8, 2011 @ 8:01 AM
Missed this one. Wow, the organ is an unusual choice for this song, but it has character. Lots of it!
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Thanks Robin. I couldn’t find the organ I was looking for: a harmonium or a small churchorgan.
But this soft Hammond emulation also works out fine indeed. |
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Siobhan Dakay |
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Mon, Mar 21, 2016 @ 3:16 PM
wow. very cool mix…should have listened prior mixing :D
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