Having pitch shifted the bass part it would have cool to change up the chord progression a little more (me having said this after I just uploaded a piece that is 99% one chord throughout)

Anyway there’s some really good engineering and soundscaping going on here. It’s in my playlist.

i am currently digging this track quite a bit! it has a great vibe, i love the vocal cuts and the resonant filter moving around in the distance. i have a few suggestions (take these how you will): 1) one particular bass note seems to play just a bit too loud on my monitors (ymmv). i would probably do some careful corrective eq’ing/compressing on the bass track to eliminate this. 2) the track doesn’t move around enough for me. a few more changes in the drum patterns, another element at about 0:50 (some kind of lead) would really fill this out. however, i have a really short attention span when it comes to music, so take that as you will. suggestions aside, i love the vibe of this track, and the methods you used to create it are very creative and impressive indeed! a 4.49bar.

I agree. It’s a very cool idea and vibe. But it does get old pretty quick.

I love the ambience of this track.

Really nice job of keeping all of the filtered elements distinct from each other in the mix, but at the same time moving them around. Also, nice use of the conversational vocals to tie things together.

A lead might have been nice? Or else the walking bass could have receded into the background just a touch? These are minor points - excellent, well integrated, mix.

It’s a certified head-nodder… some ill rap vocals on top would be a perfect addition.

it’s bad ass and cute.

Absolutely love it.
like trifonic said, major head nodder.
lyrics kept coming to me while I nodded, we’ll see what happens.
nice job, right down to the telephone

very cool.