THE WHITE CUBE REMIX PROJECT
SackJo22
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Sun, Nov 8, 2009 @ 4:21 PM
Submission deadline: December 7, 2009.
Introduction: The RAM Gallery, founded in 1989, is a free-admission non-profit art gallery in Oslo,Norway. The gallery displays modern art and handi-crafts. The gallery presents six to nine exhibitions a year, devoting itself to the excitement in the intersection of fine art, arts and crafts, textile art, architecture and design. As the gallery completes its twentieth year in operation, a celebration of this integrated space for art is the order of the day. “The White Cube” is an exhibit to take place in the RAM Gallery. Exhibit curator Rolf Gerstlauer approached Sackjo22 and Gurdonark to ask whether members of our CCmixter sharing music culture might soundtrack this exhibition. Thus,”The White Cube Remix Project” was born. “The White Cube” is a concept in architecture to describe the traditional gallery space. Through this exhibition, it is the goal of the curator to broaden this construct, and to explode “the white cube” by using light and sound. As “The White Cube” takes place in a winter season in Norway, the idea of art as white lights amid a dark night on a seemingly moonless sky motivates the background of the piece. How the Mixters can join in: Sackjo22 created an a capella track called “ The White Cube.” Gurdonark created an ambient track called “ Winter Lights,” and an ambient sample pack with short drone and tone material for the creation of ambient/chill pieces by the remixer. Sackjo22’s sample is to be used in songs for the “foreground” of the piece, seeking remixes suitable to a dynamic museum space, with the melodies the mixters know how to make. Gurdonark’s section is the “background” of the effort, seeking beatless ambient and downtempo pieces to be used as soundtrack music in the spaces between the songs. The goal is to create a mega-mix of CCmixter music that will be continuously looped to wish a happy birthday to the intersection of art and design through weaving music into the mix. Here are the rules: A. All uploads must be Attribution only, so any samples you use should either be your own or attribution samples (i.e., CC-BY). Please do not use attribution non-commercial or sampling plus samples for this project, because although the gallery is a non-profit, we do not want to worry with possible licensing issues. B. All uploads must use either the Sackjo22 sample or the Gurdonark sample, or both. We value diversity in the submissions, but wish to have each upload tie back to one of the “thematic” original pieces. C. Please tag your upload: whitecube. This will let us easily find your upload for the purpose of curating the mega-mix. D. Please write about how you made your song, and, if you wish, your thoughts on the theme the White Cube/White Lights. E. The “foreground” songs made with the Sackjo22 material should be the song you’d want to hear if you visited a really cool art museum in Norway in the dead of a wonderful winter. Your remix can be in any style you are inspired to create and you should not feel like we are only looking for ambient remixes of Sackjo22’s source material. (Although ambient is fine too.) F. The background songs based on Gurdonark’s samples should be like soundtrack music—beatless, ambient/chill, and a set of atmospheres in which to immerse oneself in new images and new ideas. G. Important: Deadline for upload: December 7 Each mixter chosen for the megamixes will get attribution. We are also considering ways to create tangible documentation of the project as well, which can be provided to each participating mixter. We believe this will be an exciting matter. Sackjo22 and Gurdonark will be assembling the mega-mix. We hasten to assure you that we put our trust in the community rather than in some artificial “submission” process. Hence, while we reserve the right to moderate the submissions, and omit submissions entirely off the mark (or, also, outside the rules), our intent is to welcome all comers, and show the Mixter community in its glory. More information about this project, including a brief discussion about the concept of “The White Cube” as well as photos and links to the RAM Gallery can be found on the blog we created to track this project, The White Cube 2009. We do hope you will participate in this very special event. UPDATE: You can hear the remixes here. Gurdonark and SackJo22 |
Snowflake
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Sun, Nov 8, 2009 @ 6:20 PM
This sounds great! Should we all meet in Oslo to see (and hear!) the exhibit?! :)
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I think there’s a link on the blog for this project, but while I’m at it here’s the link to the RAM GALLERI in Oslo too.
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Hmmmm….not too sure about December in Scandinavia…trust me, I’ve survived a few of them. It’s quite dark and not necessarily any snow nowadays (and we all know why), especially on the Oslo latitude. On the positive side and as a consequence, light do have an important both symbolic and literal value and meaning during December (apart from the obvious december holidays connection). For me, this certainly gives some ideas for the music. Light..yes!
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That would be cool to live only 5hrs from hot or cold…wait..i do but would have to fly!..dang gave up my wings…
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I recall when I lived in southern California in the foothills of the national forest—1 hour from the snow, 90 minutes from the desert, 90 minutes from the ocean, 30 minutes from a deep woodland, 40 minutes from a scrub tundra wash, and 30 minutes from a massive concrete jungle.
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i’m in san diego (used to live in LA) and have nearly the proximity that you describe. luckily, i’m about 2 hours from the concert jungle now!
we are listening to your ambient track and i am feeling inspired…a musical creation with a faux-fur collar, warm enough for Oslo…. |
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I think one great thing about San Diego is that it helps keep “the white cube” and “winter lights” from being a particular construct. Anyone who has lived a “modern life” in Southern California understands about winters without
literal weather winter. Perhaps part of exploding the white cube is to explode from weather imagery,and to find the light in a dark, balmy Oceanside winter, sitting on the pier, staring at a full moon, imagining Oslo, and chill, chill emotions. |
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Five hours west of here puts me in Big Spring, Texas, which is a charming place:
http://www.mybigspring.com/ |
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essesq |
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Sun, Nov 8, 2009 @ 6:21 PM
Very cool (figuratively and I suppose a bit literally too). I’d love to do something, but I’m not sure what y’all are looking for. I’d say I’ll use this opportunity to indulge my ambient side so can you give me some further guidance as to length of piece, etc? Feel free to reply here so others can benefit fro the info or if you want drop me an e-mail.
Congratulations to both of you for being chosen to oversee this project and lend your contributions to it. That’s great! |
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We would love you to do something! All we are looking for are remixes that use our source samples in some way. How you use the sample is completely and utterly up to you. Our goal is to have the installation reflect the diversity of styles, approaches and genres that characterize ccMixter, with the connecting thread being either my voice and/or Gurdonark’s samples.
As for length of the ambient pieces, while we prefer short pieces, seven minutes would be the maximum to be included in the loop. I hope this answers your questions. |
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Definitely indulge your ambient side!
We’ll aim for short and mid form ambience rather than hour-long form :), but we definitely want you to put your stamp on it, as any mixter project might. I’m hoping you’ll do both a foreground piece and a background piece, bringing your ambient instincts to either or both! |
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Do 2 songs!
One in the foreground, with a beat, using the sackjo22 sample, and one in the background that is “beatless”. I’m sure you can do anything you want to do! I am not usually very rigid about ambient being “beatless”, although some purists are, but here we wanted the “background” songs, which are really “songs in between the spoken word songs”, to be more atmospheric, and less dancefloor :). |
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Speck |
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Mon, Nov 9, 2009 @ 1:00 PM
When you speak of foreground and background do you mean in the same song, as in spoken word foreground on an ambient background? Or do you mean there will be foreground songs (with spoken word) and background songs (with ambient samples) interspersed? If the latter, could the foreground songs be something with a beat, as long as it has the spoken word and is art gallery appropriate? I get the impression most are reading it as the former. Should I be too?
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spinmeister |
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Mon, Nov 9, 2009 @ 10:25 PM
Fantastic project. Great blog. Just one little question: Is there a link on the blog site leading to this page? If yes, I apologize for having overlooked it. If not, it’s something you may want to consider adding in a prominent place or two on the blog. And/or links to the two source sample pages might also be a good idea. You may need only small additional amounts of additional Google juice to make the big G’s front page for the term “White Cube”. :-)
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as of this writing “white cube”
on google.ca: 18th place on google.com 23rd place |
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One week later (as of today November 16):
search term “White Cube” shows a link to this page on google.com in 9th position on google.ca in 8th position Front Page! cool! |
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SackJo22
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Tue, Nov 10, 2009 @ 7:59 AM
In response to the many queries I have recieved TO CLARIFY:
We are looking for two types of remixes: 1. Based on Sackjo22’s “The White Cube” a capella. Your remix of this source can be in any style you are inspired to work in — ambient, chill, rock, hip hop, funk, pop, experimental, jazz, etc. The only criteria is that it utilize “The White Cube” a capella. 2. Based on Gurdonark’s “Winter Light” sample pack. Your remix of this source material should be an ambient piece. You are free to create a remix using both sources, as well. Thanks. |
Lars J. Brouwer |
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Tue, Nov 10, 2009 @ 8:19 AM
Count me in :)! Seems like a great project!
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shimoda |
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Tue, Nov 10, 2009 @ 4:16 PM
This is so very perfectly up or down my alley. Gurdonark may know what I mean.
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PorchCat |
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Tue, Nov 10, 2009 @ 5:51 PM
I am very much a knob-twiddler and fiddler, so detailing how I made the song could be very difficult for me. What exactly are you looking for out of a how it was made description?
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No need to worry about this request. What we have in mind is that we may have visitors to our sites who might enjoy hearing a little process talk.
Yet the last thing I’d want to do is make this into some rigorous exercise in documenting how a mix is made! |
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dj slumberjack |
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Wed, Nov 11, 2009 @ 12:06 AM
wonderful. this reminds me of a story i had called stained-glass rubick’s cube, except it’s white.
can i make more than one? i’d like to do one using samples only, and another using all original material except the required samples. |
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Hi SackJo; am I correct that we’ve still got time to do remixes? Mine’s not ready yet, probably this week, since the deadline is fixed on the 7th of December. Just saw you’ve added a playlist so I wondered…!
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Yes you are correct. The deadline for remixes is December 7. I have been collecting the remixes in a playlist as they come in to help me stay organized! After December 7, Gurdonark and I will work on the play order, but all remixes that fit the criteria for this project will be included on the playlist that ultimately will be played at RAM Galleri for the installation.
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Ah, thanks for the fast reply! Makes things clear for me. I’m getting things online end of the week. Hope everything regarding the organizing and such is working out!
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Annnnddd….Got it uploaded! ‘Concrete Casket’, is the name and should be online right now :)!
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