A noise soundscape sets off against the vocals. It’s an interesting intro. Then the lush, almost early-Queen-like keyboard line is a great contrast. Very pretty.

I like that gentle bass, roving along. The vocals don’t “fit” as well melodically to my ears in this more orchestrated section just after the intro, though I’m far from thoroughly reliable on pitch. Later, it all seems to fit fine.

I like the way you’ve set the vocals into the mix. They feel as if they belong where they are placed.

That horn line is sublime. A really attractive, loping solo in just the right place.

The keybord work is gentle and just right. I was concerned at one point you’d over-do the instrumentation, but you resist.

The extro to fx ‘pella is good, but the snip at the very end in the vocal extro is a bit abrupt.

A solid, interesting mix. The noise in the intro might restring just a bit, though I like it generally, and the second half of the song is really the stronger bit.

Not 100% even, but 100% enjoyable.

I think this great, really, shows a lot of personality and promise. There’s quite a few unexpected choices some I didn’t get (probably my problem) but some were very welcome indeed. Keep mixing!

Really sumptuous.. You bring to this song an emotional dimension which fits so in perfection with her voice.