Yep, that’s the same dream I had after the mexican food and the ice cream. Have you got ESP or somethin?

This is an interesting experiment. I happened to read the description before listening. So, I kinda got that this was a process piece. It would have been equally interesting raw (though not informed). Are you a Steve Reich fan? I’m also really curious if you setup the audio process prior to the “automatic” selection of the input. Inspiring in it’s approach.

this song sounds like how i feel the morning after a dodgy kebab. Still, I like it though.. its cool

I am a great believer in taking music beyond its normal boundaries but please this really is just a waste of time and serves no purpose.

I really like this, particularly with the photos (that second one is great).
I often wonder why these kind of block contrasts aren’t used more in music, it’s much more common in the visual arts. Each chunk sounds different because of where it comes in the sequence.

Listening to this track makes one wonder how your skills as a sonic experimentalist (Is that a word? Hmm?) would be applied to fleshing out whole and complete tracks. This is the first track of yours I have heard, so I am going to check out a coupla of your other tracks.

There are no transitions, so for me this was a very jarring experience, taking in the sounds just for it to end and then the new sounds come in.

I wondered what each sound segment would sound like if they were each expanded on and fleshed out and more structured. I found myself wondering how am I supposed to listen to this track, how to take it in, instead of really taking it in.

I commend your sense of experimenting with sound convention, but this track almost feels like a sampler of your broader production senses and skills.