yes, but do you have any bass? ;)

well, the word ‘deep’ comes to mind here. You have really love that bass to like this track — and I do ;)

(I also love how you uploaded on the first AND last day of the contest ;))

I like this one alot. It’s real trippy. The bass does kinda overshadow all the subtle instrumentation, but I like bass so I dont’ mind too much. I DO know what you are saying about the song though. After listening to so many remixes and working on my own, I can’t really make heads or tails of any of it anymore. I can only imagine how the judges will feel at the end of all this.

I like the riff which propels this song, with its discordant and yet not disconnected addition to the song. The percussion and beats are good, although I wanted them even more subdued and varied, as you’ve got so much in that sharp synth-y sound that you don’t have to lay on too much percussion.

The electronica strings in the background is very good.
Lisa’s voice seems to fit this song quite well, which is to say that you make it fit well. I think this song would be even more fun if you put in more "trad" sounds, like
maybe a reed organ carrying more of the background riff, as an alternative to the string. The whispered
vocals for the "boy of snow" section of the song is very effective.

It’s far too easy when making a pop song with industrial touches to make the industrial too "cute" or too raucous.
You commit neither sin. The central riffing electronica
fits here quite well, although I think that perhaps a similar but different riff rather than the "loop" feel of this one might have added to the work.

I enjoyed this. Thanks.

I find the track, a lot interesting. The bottom, comes near well with the voice of Lisa, and the delicate percussions. Sound winning, and convincing.

I actually like this a lot, though I find the bass line a little bit irritating in the middle of the track when there’s a lot of other stuff going on. I actually enjoy it at the beginning and the end of the track when you can really hear it in detail against the vocal and really minimal pad and percussion.

I’d try taking those lower strings up an octave, because there’s a lot of stuff in the mid-range of the track which is making the bass sound “wooly”.

So, I really like the beginning of the mix where the percussion fades in and builds, and the end when there’s less going on, not sure about the middle. :)