Listening carefully to music that is very different from what I usually listen was a great experience. From 1932’s work (there are truly some gems there!), I began to understand what soundscapes really are all about.

Given that the work of The Orchestral Movement of 1932 could be described as “soundscape”, “ethereal”, “distant”, I wanted (or had to, since I don’t know any better) to make something solid, energetic and in-your-face.

Everything except the bass line and a couple of Hammond pad chords are from the source material, sometimes speeded up or slowed down or (taking a page from 1932’s playbook) reversed.

The Mixversation

• Mana Junkie It reminded me of the opening of The Blu...
• gurdonark You can't go wrong with a bass line/perc...
• DoKashiteru Fantastic! oh man, this is so, so cool -...
• Ivan Chew Sounds to me you've blended a sound that...
• Snowflake energetic indeed :) love that thumping b...

Recommended by: Mana Junkie, Alex (AlexBeroza), gurdonark, texasradiofish, DoKashiteru, unreal_dm, Ivan Chew (ramblinglibrarian), urmymuse, Snowflake, Anchor (anchormejans), Kara Square (mindmapthat), Grizzly616, The Orchestral Movement of 1932 (jacksontorreal), captainstupidity, colab, Revlin (Reveling_John), vo1k1, SackJo22, septahelix

"Open Air for Those Who Don't"
by Tom_Ena

2010 - Licensed under
Creative Commons
Sampling Plus

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Open Air by The Orchest...

To Those Who Don... by The Orchest...

To Those Who Don... by The Orchest...

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