Thanks for giving me a listen and leaving a comment!

Thank you. I feel a kinship with the occupants of the island of misfit toys on the animated holiday special.

I love the way your samples have a great scope—a symphonic flourish here, an incisive keyboard there, a vigorous, rhythmic mix over yonder. Thanks for making your samples available here at the mixter for others like me to use. I’ll look forward to your efforts in spoken word remix. Today I learned that one of my non-mixter songs accompanying a poem will be featured in a film in an Athens film festival, which makes the idea of poems set to music more fun than ever.

Thanks for your kind review!

I like Noiser because it never sounds the same twice when one continually resets it, and playing with it is almost like a listening experience all its own.

Thank you! I had great fun making this one. So many times I worry that I alter the source material so much as to make it unrecognizable, but here I could alter the material and yet it is unmistakeably a variation of the sample material from which I started.

Sometimes I use a sequencer-and-sampler-and-mix-in more traditional method, but I find myself drawn lately, as at the beginning, to generative and sample altering software used more stand-alone and with an element of the random or generative.

I love traditional music in a broad range of genres, but for some years the abstract and offbeat has appealed to me most.

I like to watch the bricks fly.

Chaos may give rise to creative things, but it sure does feel a bit…chaotic sometimes. Thanks for your review!

I wish there were no Brexit and that the word Brexit referred to a new biscuit with caramel, a bit of graham cracker, and cheap milk chocolate—a kind of Golf bar with a little caramel zip.

And that would be infinitely better than any of the proposed ‘deals’.

Je vous remercie pour vos aimables paroles. J’aime essayer de raconter des histoires avec une atmosphère

It’s a difficult time in so many places. I hope that all of us avoid tears in the long run.

Thank you! The software I was using did a time stretech and morph better than any I could have done step-by-step in my DAW!

I’m pretty sure it comes in a Mac version. Send me a note when you get up and running, and I’ll send you the link. I run the Windows version via WINE on Linux, so WINE on a Mac (or whatever they call it on a Mac) may also work.

Thanks for the kind review! I like to think of Gurdonark as not only a mixter and a style, but also a small valley somewhere in the great unknown Texas midwest.