Thanks WW! Maybe the “I get up” first line. The rapid fire left hand piano bass rhythm throughout is also something that Michael Anthony did a lot during the 80s on his bass. This technique was quickly replaced by a synth when the band realised they could hold an arp note on the keys to free up the hands to roll a joint. Glad you liked it :)

Yeah, there’s that. I was also referring to the guitar riffs you added, a nice little crunch.

Thanks Mate, it does have that that jaunty forward motion of the 60s and certainly that squeaky clean Cliff boy next door pop feel. Big thanks to Stef for the piano to lead me down this path :)