Javolenus 2187 Reviews	. permalink Sat, May 24, 2014 @ 6:33 AM Hi & thanks for this. Again, very cool and great to hear the bass anchor the track & fill out the bottom end. Interesting that you are including a “G” note in the riffing — adds some tension & “mood”. Hmm, I wonder how it might sound if, instead of the long G note, you experimented with a triplet of G-F#-E? Effectively making the G (a flatted 5th in the home key and a flatted 7th against the B chord) a passing note? Hmm, just a passing thought. I dunno. Anyway, thnx for another cool addition!
	. permalink Martijn de Boer (NiGiD) Sat, May 24, 2014 @ 6:56 AM Thanks :) I might try your suggestion. To me the G is now the most important note in the tune. To make it a passing note would change it completely.
	. permalink Javolenus Sat, May 24, 2014 @ 7:03 AM Hi Martijn — yeah, that G definitely makes a statement! Maybe you are right — making it a passing note would certainly weaken the tension it creates, and might make for a less interesting bassline. Hmm, the long G is kinda growing on me …
	. permalink Martijn de Boer (NiGiD) Sat, May 24, 2014 @ 7:26 AM Hehe ;)
	. permalink Speck Sat, May 24, 2014 @ 8:03 AM I like listening in on conversations between people who know more than me (that’s a lot of people). In this case even though I couldn’t pick a G out of a line-up I know just what you’re talking about, and agree - it makes it. Nicely done.

Reviews for "Scarlatti Groove"

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