There are some notes on the sax that seem to leave the scale of the pads, but I don’t find it really glaring.

It might be hard to come up with a vocal for this. The song’s already fairly complete in that the lead instrument is pretty much already all over the track, and there’s not a lot of room for a vocal.

You created a very evocative atmosphere. As a composition, I think the track works really well. I really like how you used the vocals. I agree with the Admiral that there is not much room for vocals, at least a voice singing a song. However, it would be interesting to hear some vocalese singing along with the sax at times, perhaps in unison, perhaps in harmony. Altough, quite frankly, I don’t know that necessarily add anything to the composition.

Cool and interesting, AA. It’s like a jazz and pad piece that brings to mind Marvin Gaye’s Sexual Healing passages where the soft female voice is saying “get up, get up”.

I like this idea very much. The sax is particularly good when the blip synth enters because it makes the chord/harmony structure a bit more clear.

I am interested in what it would sound like with bass notes added, but then it wouldn’t be the same track anymore - so I would leave this version the way it is.

Nice one.

Nice and simple. Something to chill to.

I absolutely love it as is. The sax is wonderful and I like the way you have used snowflake’s vocals. Part of my agrees with others that there isn’t any room left for vocals, but part of me is inspired to try putting some minimal and spaced out spoken word to it. It’s very relaxing to listen to and I’ve added it to my favourites. Yes, I think it is wonderful as is

I think, I was fallen in love with your “sound-management” :)

think i’m gonna make a sax track after hearing that.
i might try to chop up some vocals in a way that’ll harmonize with the sax solo.

Ooh I like this very much. Loose but logical. And I’m always on the look-out for a great sax sample for thanks for the zip.

so mysterious. so lovely. artistic. romantic.