Nothing like starting out with a little percussive glitch, leading into a warpy synth line. All kindsa contact mic sounding effects on board, workable and interesting.

The foreboding melody which kicks in around 1:00 interests me, but it’s awfully submerged at first, and the submerged vocal and odd high pitched synth don’t really work.

Here, the propulsive synth melody works better on its own when it becomes up and prominent than as a support for the vocals. It might be fun to mix in some whirrs and wheezes to leaven up the mix, and convert it to an instrumental remix.


An interesting experiment, but it would be better without the vox sample as a stand-alone.

welcome to ccmixter—interesting stuff.