The opening sense of dread, the bitcrushing, the pitched up adlibs all work in unison to set the stage for this delightful exploration of sound.
Philosophically speaking, this furthers my resolve that the future of music is found where the line between noise and tone become blurred.
As far as experiments go, this is much kinder on the ears than say, *most* of the other noise artists out there, and way more inspiring :)

Ps. Apologies for my loquacity, I just got done doing some creative writing :D