A straight ballad that succeeds in bringing a touch of class to the site with the (eventually) soaring strings over a top flight kit arrangement.

This production doesn’t use samples from the site aside from queeniemusic’s brilliant a cappella, but all the original samples for it are now available here at the site… let the conversation continue…

Dub infection, summer sizzle: sackjo (with deceptively simple, but virtuoso guitar by Haskel) lays out her heart against a rockin riddim of Neurowaxx for an irresistible first remix (!)

For the first 4+ years, the formula for the site was pretty simple: singers upload pells, musicians set those to music and upload the beds. As with “One for Me,” sackjo, and several other singers have turned that process inside out, using the instrumental beds to create completely new works.

Irie.

No brainer, lumps of Springsteen, and Lou Reed stirred into a reflective coffee cup.

Thelma and Louise for the boys.

From the deep melodies to the stylish lo-fi electronic delivery this track offers more than the sum of its parts in true DoKashiteru style.

A timelesslike drift of sound and changing beats. You cant go far wrong with using any of Trifonics production values and a Christina Courtin vocal in a mix but Geert matches that with some beautiful chord and sound choices.

Radiotimes takes an incredible and inspirational vocal track by Frank H. Carter III and lifts it to a higher level. to the protesters in iran, your voices shall be heard.

“Just be funky” is the prime directive of the Universal Remix Law (that I just made up) and KC adheres to both the spirit and the letter of that law with a swirling, erotic, hip-grinder.

To paraphrase the lyric: Damn you’re funky.

- a very smooth ballad and superbly, melancholy combination from Subliminal -

everything here, from the guitar to the trumpet to Jacinda’s vocals can be summed up in 2 words. feel good. this should be played at every cool party this weekend.

One of the most infectious grooves i have heard on CC to date.

Moody, sexy, contemporary with a hint of old school Jon B.

Lip lickin Good.

stunning in it’s simplicity, sometimes some of the best work only requires 2 tracks.

At times frantic, at times delicate - a great mixer working with Colin’s angst-ful wonderful spoken work. This combination is my drug of addiction.