Absolutely captivating through and through. What I really like about it is the phrasing, at least I think that’s the term, the placement of notes or groups of notes relative to one another and/or the tempo. Don’t know if I’ve got that right but anyway - man this is a great piece. And an unusual, and highly effective, use of Kara’s vocal.

Wow. I’m goin’ in for a third listen. Speck said it best… and he knows jazz. So I’ll go for a ditto on his comment. I’m really impressed by this, Key. I never pictured this song done up in jazz and… damn, it works well. Thank you so much for using my vocals like this.

Very cool. I’m at live show with you and Kara! Lovely mix.

This is so delicate, Key bro…For some reason it brings A Streetcar Named Desire to mind…A beautifully sombre musical treatise on love that goes into wonderful overdrive in the last third where it is on par with some of the worthiest jazz anywhere…into my jazzopolis list it goes