What a fantastic combination - whatever you heard that made you match the vocals to those synth samples is inspired.

I’ve been wondering whether anyone would want to take on such a chromatic and pitchy vocal track.

Thanks! I’m guess that I’m just reduced to being a blubbering fanboy.

Love the bass, and the sheer clarity/separation sensibility evident. I couldn’t help but think to myself, “this sort of approach to production was what made NCP (No Commercial Potential, an old college radio show in Boston) worth listening to.” No matter how seemingly abstruse the material, the cinematic level of attention to production keeps you listening, just to find out “what happens next”; by the end, you’re glad you never changed the dial after all. Everything just keeps relentlessly fitting. Until I read the “FL granulizer” comment, I was thinking a watchful finger on an analog knob was the cause of what I was hearing.
I hate to get all gushy over a fourstones track- he gets enough love as it is- but I’d be being dishonest if I didn’t admit this track grabbed my attention, and held it tight the whole way through. Durn it, ya just had ta go and show the kiddies how it’s done, didn’t ya? ;)