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Reviews for "Truth and Fact (Orchestral)"

Truth and Fact (Orchestral)
by Zapac
Recommends (32)
Mon, Mar 21, 2011 @ 12:46 PM

Uses samples from:

 
Benjamin Orth
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permalink   Mon, Mar 21, 2011 @ 1:11 PM
This is really brilliant, Zapac! Sounds like the vocals just waited for your orchestration.
Which orchestra library have you used for this?
 
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permalink   Zapac Mon, Mar 21, 2011 @ 1:28 PM
Thank you, Benjamin! I don’t use a full orchestral bank. As you heard, I work just with a few favorite instruments. They are still my good old sf2 banks, and very very much work with EQ, and compressor. It takes more time, like creating the parts.
timberman
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permalink   Mon, Mar 21, 2011 @ 1:27 PM
Beautifully done, Z.
Me too want to know what orchestral tool you’ve used.
 
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permalink   Zapac Mon, Mar 21, 2011 @ 1:31 PM
Thank you Paul! See above! :)
Kara Square
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permalink   Mon, Mar 21, 2011 @ 1:34 PM
Gorgeous. This is just so lovely, Zapac. Thank you so much for working with this pell. I’m incredibly flattered. You captured the sadness, yearning, and hope. The pauses are perfect. The end is remarkable. Where you placed the delay and built the swell… so wonderful.
 
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permalink   Zapac Mon, Mar 21, 2011 @ 1:53 PM
Thank you, Kara! I love your pella!
I just like to tell you, that I died of delight. (this is my corpse writing) :)
 
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permalink   Kara Square Mon, Mar 21, 2011 @ 2:08 PM
Ha! You crack me up. Love your morbid humor. :D (Does that make you a zombie? If so, I believe you’re the most musically talented zombie I’ve met.)
musikpirat
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permalink   Mon, Mar 21, 2011 @ 2:10 PM
In truth, this is just the fifth remix of that pella. And there are about 50 more needed until it shows up as one of the most remixed pellas. Fact!

http://musik.klarmachen-zum...

Just wish, there would be some remixes of “How do lesbians have sex”… :)
 
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permalink   Zapac Mon, Mar 21, 2011 @ 2:49 PM
Thank you so much!

Quote: musikpirat
Just wish, there would be some remixes of “How do lesbians have sex”… :)

Why not?! I love all of Kara’s work, and she has sense of humour. And which style do you think?
 
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permalink   Scomber Mon, Mar 21, 2011 @ 6:10 PM
Im thinking spagetti western. Somehow I am haunted by the image of spagetti mixed up liberally with L sex. Thats just me though ;-)
 
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permalink   copperhead Mon, Mar 21, 2011 @ 7:27 PM
I better stay out of this convo lol!
 
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permalink   Kara Square Tue, Mar 22, 2011 @ 6:30 AM
For those who haven’t heard this ditty- I must point out that its title is the most radical part about it… It’s a true story about a 70 year old woman asking me creepy, inappropriate questions. :)
Blake
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permalink   Mon, Mar 21, 2011 @ 3:06 PM
All of your songs are incredible! This is amazing! thank you!
 
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permalink   Zapac Tue, Mar 22, 2011 @ 10:04 AM
Thank you Covert! I’m glad that you like it! I bear your great orchestral samples in my mind. I have to thank you for them.
Anchor
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permalink   Mon, Mar 21, 2011 @ 3:09 PM
possibly one of the greatest things I’ve heard on mixter lately!
Brilliant in all ways - conceptually, technically…
clearly an obvious sensitive ear and intelligent mind constructed this piece (yours!) - and a wonderful showcase for Kara’s great poetic lyric and alluring vocal!
Thanks!
 
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permalink   Speck Tue, Mar 22, 2011 @ 4:17 AM
Quote: Anchor Méjanspossibly one of the greatest things I’ve heard on mixter lately!Agreed.
 
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permalink   Zapac Tue, Mar 22, 2011 @ 10:06 AM
Thank you, Anchor for listening and for your kind words. I’m honored.
onlymeith
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permalink   Mon, Mar 21, 2011 @ 4:32 PM
Brilliant orchestration of a great pella. Exciting and wonderful. Congratulations.
 
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permalink   Zapac Tue, Mar 22, 2011 @ 10:13 AM
Thank you, Onlymeith! I’m glad, that you put your eyes …pardon …ears on me. :)
Admiral Bob
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permalink   Mon, Mar 21, 2011 @ 6:04 PM
Wow… the Enya treatment! Awesome blend of slowly bowed and pizzicato strings. The climactic parts where the trumpet comes in is spine chillingly good.
 
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permalink   Zapac Tue, Mar 22, 2011 @ 10:33 AM
Thank you Bob! I love Enya. Her “Watermark” album was my favourite, at the end of 80’s.
copperhead
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permalink   Mon, Mar 21, 2011 @ 7:29 PM
WOW! You are a machine Zap. You really know your orchestration well! This is quite amazing. Do you conduct for your day job? And MMT!, this is one amazing pella!
 
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permalink   Zapac Tue, Mar 22, 2011 @ 10:58 AM
Thank you Copperhead.
A day is 24 hours… plus the night. :)
I’m no…beep…not…clink…a…. machine…whirr
Speck
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permalink   Tue, Mar 22, 2011 @ 4:14 AM
A standing ovation with shouts of bravo.
 
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permalink   Zapac Tue, Mar 22, 2011 @ 11:01 AM
:)
I’m honored. Thank you so much for listening and your kind review.
error404
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permalink   Tue, Mar 22, 2011 @ 7:38 AM
HátezBazze megint k..va jó lett!!!
Nagyon otthon vagy ebben a vonós fúvós dolgokban(szerintem ez a te belső zenei világod… ez tükrözi az éned!!!)No jólmegfogalmaztam mi??
Sok locsolóóót tessék kimenni kertész kedd ni is!!!
 
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permalink   Zapac Tue, Mar 22, 2011 @ 11:03 AM
Köszönöm szépen, hogy mindig meghallgatod amiket csinálok. Jól esik. …már nem kint, hanem itt bent :)
 
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permalink   error404 Tue, Mar 22, 2011 @ 12:38 PM
:D ezt a szófordulatot védesd le vagy véssed be.(jó vagy”)
magmavander
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permalink   Tue, Mar 22, 2011 @ 4:26 PM
Absolutely amazing. The silences here are as important as the sounds. What a subtle writing!
I am also a fan of soundfonts. There is a lot of great free ones.
 
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permalink   Zapac Wed, Mar 23, 2011 @ 12:04 AM
Thank you Magmavander! Usually the free soundfonts are not good quality. But you can make your own banks (with using any sounds), and this is the real profit, I think.
Donnie Drost
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permalink   Wed, Mar 23, 2011 @ 12:33 PM
Indeed, incredible treatment. Veeeeeeeeeeeeeeery good!
 
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permalink   Zapac Wed, Mar 23, 2011 @ 2:37 PM
Thank you Veeeeeeeeeeeeeeery much! :)
McMullee
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permalink   Thu, Mar 31, 2011 @ 11:47 AM
loveleyloveleyloveley
 
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permalink   Zapac Thu, Mar 31, 2011 @ 12:40 PM
Thank you very much!
Steven M Bryant
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permalink   Thu, Apr 28, 2011 @ 3:38 AM
What a great piece of music!
 
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permalink   Zapac Thu, Apr 28, 2011 @ 6:20 AM
Thank you very much, Steven!